Designing for a Decade, Not a Season
The best gardens are designed for the year they will be best, not the year they are planted. A note on how we draw planting plans for the long arc.
Essays, planting notes and build diaries from fifteen years of residential practice — on the long arc of a garden, the discipline of restoration, and the craft of building well on a small site.
The best gardens are designed for the year they will be best, not the year they are planted. A note on how we draw planting plans for the long arc.
Sydney summers are getting longer and drier. A working list of the species we now lean on for residential gardens that need to look intentional through February.
Sixteen weeks, three metres wide, one lilly pilly craned in over the roof. A diary of how a leftover side return became the most-used room of a Vaucluse home.
A short note on why our studio caps the number of projects we begin each year, and what that means for the gardens we get to make.
Working on heritage-listed sites teaches a particular discipline: most of the design work is subtraction, not addition. A note on how we approach restoration commissions.
We don't design all-native gardens, and we don't design all-exotic ones either. A practical note on how we mix the two in residential Sydney work.
Working with hand-split granite on the Southern Highlands Estate — what we learned from the third-generation stonemason who walled the property.
A short reflection on what fifteen years of residential garden practice has taught us about the first client meeting — and how much of the design happens there.
Seasonal notes on planting, the gardens we are tending, and the occasional essay — sent in early autumn, late winter and high spring. No other emails.